RIP Duotrope is a free resource which lists writing markets. That is, if you have a piece of short fiction or non-fiction that you’d like to get published, Duotrope is an excellent resource for finding a potential publisher for your work. Users are also able to keep track of their submissions. This is handy if you are submitting multiple pieces to multiple markets. Duotrope also keeps lots of submissions statistics.

Unfortunately Duotrope announced today that, as of January 1st 2013, they will no longer be free. They plan on charging users $5 a month or $50 a year to use their service.

I can’t analyze this issue from Duotrope’s point of view. I don’t know how much their hosting costs are, who’s doing all the coding, how much work goes into their updating, etc. So if the site’s current donation business model is not maintainable, I can’t argue with that.

From a writer’s perspective, however, I am called to ask myself: Do I get enough out of this resource to justify paying $5 a month or $50 a year for it?

Answer: No.

I mainly use Duotrope for finding speculative fiction markets. Before discovering Duotrope, I used for this. It’s not nearly as professional looking as Duotrope, but it’s kept well maintained and up-to-date.

Duotrope has a handy search feature. Useful, but not worth paying for. I can search through’s listing on my own.

Before I discovered Duotrope, I tracked my own submissions in a spreadsheet. Easy stuff. I don’t need to pay for an automated system to do that.

Duotrope lists some handy response statistics, including how many submissions were pending for a certain market, an acceptance ratio, and average response times. Interesting stats, but do I really need them? No. (After submitting to various markets for a few years, you naturally get a feel for who’s fast and who’s slow on your own anyway.)

Some writers on Facebook have argued, “Well, if you’re a serious writer, this is the cost of doing business.” I reject the notion that willingness to shell out money for resources of convenience determines whether or not you’re serious. Any writer who mentions seriousness with this issue is a snob. All writers who use Duotrope are serious.

So, like many other writers out there, I’ll most likely be returning to for my sff market listing needs.

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2 thoughts on “RIP Duotrope

  1. I have to agree. Many resources exist for convenience sake, but when they charge money you quickly realize that they are scams. Like the people who sell information about post office jobs in the paper or the people who say “pay us this amount of money and we’ll get you a job testing video games.” Both are just terrible scams.

    I never used this service, because I’m basically just starting out writing, so I can’t judge it. But paying for information about an industry seems unnecessary at best, at worst idiotic.

  2. For selling short fiction, I think Duotrope has become the leading site for market searches and statistics. But I think the biggest problem with its planned subscriber business model is that there’s really nothing special enough about it. Simply put, short fiction market listings can be found elsewhere for free.

    Compare this to a resource like Writer’s Market, which I may pay for when I start looking for an agent. Writer’s Market also sells subscriptions for access to publishing non-exclusive information, such as agents, book publishers, small presses, magazines, trade journals, screenwriting markets, and even writing contests. I am sure such abundant info takes plenty of time to put together and maintain, so I can’t argue that paying for it is necessarily unjust. It certainly saves me a lot of time and energy. Maybe that is Duotrope’s intent, to grow to compete with the likes of Writer’s Market. But their current offerings, at least the offerings I’m interested in, do not warrant more than an occasional donation. Short fiction markets simply aren’t that vast and complicated to find.

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